Works
  • Finlay Trevor, Cattle Grid
    Finlay Trevor, Cattle Grid
    £ 4,000.00
  • Finlay Trevor, The Gatherer
    Finlay Trevor, The Gatherer
    £ 4,000.00
  • Finlay Trevor, Burst
    Finlay Trevor, Burst
    £ 1,400.00
  • Finlay Trevor, Washing Nets
    Finlay Trevor, Washing Nets
    £ 1,400.00
  • Finlay Trevor, Red Point I
    Finlay Trevor, Red Point I
    £ 600.00
  • Finlay Trevor, Red Point II
    Finlay Trevor, Red Point II
    £ 600.00
  • Finlay Trevor, Red Point III
    Finlay Trevor, Red Point III
    £ 600.00
  • Finlay Trevor, Farm Shed Interior
    Finlay Trevor, Farm Shed Interior
    £ 1,250.00
  • Finlay Trevor, The Shed
    Finlay Trevor, The Shed
    £ 2,500.00
  • Finlay Trevor, Clary
    Finlay Trevor, Clary
    £ 2,000.00
  • Finlay Trevor, Sheona
    Finlay Trevor, Sheona
    £ 1,600.00
  • Finlay Trevor, Roxy
    Finlay Trevor, Roxy
    £ 2,000.00
  • Finlay Trevor, Roxy II
    Finlay Trevor, Roxy II
    £ 800.00
  • Finlay Trevor, Attrition
    Finlay Trevor, Attrition
    £ 1,800.00
  • Finlay Trevor, Burst II
    Finlay Trevor, Burst II
    £ 800.00
Overview

Finlay Trevor's practice begins in the landscape of the North West Highlands of Scotland. Since graduating, he has expanded his work across the wider Gairloch area, painting people whose lives are inseparable from the land they work and inhabit. In these portraits, figures become extensions of the landscape itself, shaped and weathered by place.


He works through time spent on the land, often helping on Red Point farm, allowing relationships to form through shared effort rather than formal sittings. Meeting people and learning from their knowledge of place is central to the work. These encounters inform drawings and studies made on site, later developed into paintings with layered, physical surfaces. The works often depict pre-industrial scenes within a post-industrial world, where older ways of working persist alongside contemporary pressures.


The work resists inherited symbolism, particularly the biblical image of the shepherd within art history, in favour of an honest depiction of rural labour. Through this approach, Finlay seeks to acknowledge and celebrate a fading, ancient way of life without idealising it, attending to its beauty, endurance, and fragility.


His recent achievements include selection for the National Portrait Gallery London's Herbert Smith Freehills Kramer Portrait Award (formerly the BP Portrait Award), Showing in the Laing Gallery Newcastle, being shortlisted for the Mall Gallery Crinan Residency, and receiving the Visual Arts Scotland Graduate Showcase Award.